PreSonus Eris E5 zwart

Productomschrijving

De PreSonus Eris E5: Een compacte maar krachtige studio speaker

De PreSonus Eris E5 zwart maakt zijn debuut als een compacte maar krachtige speaker die speciaal ontworpen is voor studio-instellingen. Deze speaker is uitgerust met zowel een tweeter als een woofer, waardoor hij in staat is een breed scala aan geluiden en frequenties weer te geven. Met een tweeter diameter van 1 mm en een woofer diameter van 5.25 mm, zorgt deze speaker voor een helder en krachtig geluid, ideaal voor zowel mixen als masteren.

Functionele controle over uw geluid

Belangrijk om te weten is dat de PreSonus Eris E5 een gevoeligheid van 102 dB heeft, waardoor hij in staat is luide klanken te produceren zonder vervorming. Het frequentiebereik loopt van 53 - 22000 Hz, wat betekent dat de speaker een breed scala aan geluiden kan weergeven, van lage basfrequenties tot hoge treble-tonen. De speaker is daarnaast voorzien van een handige draaiknop voor volumeregeling.

Praktisch en eenvoudig in gebruik

De bedding van deze speaker is bedraad, betrouwbaar en eenvoudig op te zetten zonder de noodzaak voor constante oplaadbeurten of batterijwissels. Het enige dat u nodig hebt is een AC-voedingsbron, waarbij de speaker functioneert op een AC-ingangsfrequentie van 50 Hz. De in het zwart gestoken speaker weegt 4630 kg en meet 178 mm in de breedte, 195 cm in de diepte en 260 mm in hoogte, waardoor hij gemakkelijk in elke studio-setting past zonder overweldigend te zijn. In de praktijk is de PreSonus Eris E5 een solide keuze voor diegenen die op zoek zijn naar een betrouwbare, functionele speaker die zowel praktisch als eenvoudig in gebruik is, zonder concessies te doen aan audiokwaliteit.
Login of registreer om de complete prijshistorie voor dit product te zien.
Prijshistorie inzien?

Login of registreer om de complete prijshistorie voor dit product te zien.

Registreren Inloggen

Reviews

Gemiddelde beoordeling

De gemiddelde beoordeling is gebaseerd op 1 goedgekeurde review die zijn achtergelaten voor de PreSonus Eris E5 zwart op Kieskeurig.be. Deze beoordeling wordt berekend door de som van de reviewscores te delen door het aantal reviews.

Help anderen en geef jouw mening over dit product. We verloten iedere maand onder alle reviewers 2 x € 250,-.

8,0

Schrijf een review

Specificaties

Aansluitingen en connectiviteit

Audio-uitgangskanalen
1.0
Verbindingstechnologie
Bedraad

Audio

Tweeter
Ja
Woofer
Ja

Extra

Tweeter diameter
1 mm
Woofer diameter
5.25 mm
Gevoeligheid
102 dB
Versterker
Onbekend
Versterker klasse
A

Algemene kenmerken

Frequentiebereik
53 - 22000 Hz
Kleur(en)
Zwart
Aanbevolen gebruik
Studio

Algemeen

Impedantie
10000 ohm
Voeding soort
AC

Bediening

Volumeregeling
Draaiknop

Inhoud en afmetingen

Gewicht
4630 kg
Breedte (mm)
178 mm
Diepte (mm)
195 mm
Hoogte (mm)
260 mm

Energie en milieu

AC-ingangsfrequentie
50 Hz

Toelichting specificaties

Nothing But the Truth.\n\nWhen you’re serious about creating music, you need monitor speakers that will reveal all of the flaws in your tracks and mixes. Eris professional studio monitors deliver the truth, thanks to very accurate response, tight bass, and clear upper end.\n\nCheap computer speakers and home-stereo speakers are designed to make music sound good and hide the flaws, while most low-cost studio monitors are hyped to sound good in the store showroom. If you mix on those speakers, you won’t hear problems that can show up in your final production.\n\nNot so with PreSonus Eris-series active studio monitors. Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.\n\nAs you expect from PreSonus, they use quality components, are well constructed, and deliver professional audio quality. They’re lightweight and compact and look as professional as they sound.\n\nBut what really sets them apart from comparably priced systems are pro features such as user controls that allow you to tailor the speakers’ response to your needs.\n\nYet Eris-series speakers are ultra-affordable, making them a terrific value. And with three models, you can easily find the Eris monitor that best suits your studio needs.\n\nYou’re in Control!\n\nIt’s easy to customize Eris’ sound for your room and type of music.\n\nToday’s music producers deal with a wide variety of musical genres and often work in more than one location. That’s why Eris-series studio monitors offer extensive user controls not usually found in their price class.\n\nThe most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.\n\nThe Acoustic Space Control\n\nAll Eris speakers provide three EQ controls in their Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the Eris with a subwoofer.\n\nEris’ Acoustic Tuning controls let you customize the speaker’s sound with EQ. You get high-, mid-, and low-frequency bands.\n\nThe High control is a high-frequency shelving filter that boosts or cuts all frequencies above 4.5 kHz by as much as ±6 dB. Use this control to fine-tune the reproduction of high frequencies, depending on your room's acoustic characteristics.\n\nIn general, setting the High control to 0 (no boost or cut) will produce the best results. However, if the sound is generally too bright or shrill, try turning this control down below 0; if the sound is too dull and lifeless, try turning it up above 0. (In either case, check your mixer settings to see if anything’s amiss.)\n\nKeep in mind that settings above 0 will also emphasize any high-frequency noise in the signal. It's always better to cut than to boost, if possible, and it's best to use the least cut or boost needed to get the job done.\n\nThe Mid control is a mid-frequency peak filter that boosts or cuts frequencies centered on 1 kHz and extending about one octave above and below that frequency. Again, setting this control to 0 will generally produce the best results.\n\nIf you want to emulate a car stereo, try turning the Mid control below 0 to approximate the common "smiley face" EQ curve. To emulate a cheap portable radio, try turning it up above 0. Try not to boost much, since this can add noise to the signal.\n\nThe Low Cutoff control rolls off the low frequencies below the specified frequency (selectable, 80 or 100 Hz) at a slope of -12 dB/octave. Engage this control if you are using a subwoofer in conjunction with Eris monitors, and set it to the same frequency as the crossover to the subwoofer. If you're not using a subwoofer, set the control to Flat.\n\nIf you want to emulate a cheap radio, engage the Low Cutoff at 80 or 100 Hz while boosting the Mid control.\n\nIn addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll off those lows, set it to 0 dB.\n\nWhen a monitor is placed close to a wall, or in a corner, the low frequencies tend to be emphasized more than if the monitor is far from any room boundary; this effect is called "boundary bass boost." It is most pronounced if the monitor is in a corner and less pronounced, but present, if the monitor is near one wall. The effect is greater with rear-ported speakers than it is with front-ported speakers like the Eris, but it’s still a consideration.\n\nTo compensate for this bass boost, the Eris provides an Acoustic Space switch that cuts all frequencies below 800 Hz by a fixed amount. With this feature, you can control the bass response relative to the wall proximity of your speakers.\n\nThis combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.\n\nSafety Matters\n\nAny loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these.\n\nIt would be wonderful if recording studios and equipment were immune from radio-frequency interference, electrical problems, heat, and so on. Since that’s not the case, we’ve protected Eris monitors from the most common hazards.\n\nRF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)\n\nEris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.\n\nFinally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.\n\nThe Three Bears.\n\nOnce upon a time there were three Cajun bears who lived in a home studio in a Louisiana bayou. One was a little bear named Eris E4.5; one was a middle-sized bear named Eris E5, and the other was a big bear named Eris E8. Bear with us and…\n\nNo, we’re not going to go on about how each bear had its own jambalaya pot: a small one, a medium one, and a large one. But PreSonus does indeed offer small, medium, and large Eris-series monitors: the E4.5, E5, and E8.\n\nIf space is at a premium, or if you want the ultimate in portability, consider the ultra-compact Eris E4.5. It may be the size of a computer speaker, but this mighty mite delivers professional audio quality, thanks to a 4.5-inch, Kevlar low-frequency driver; a low-mass, 1 inch, silk-dome tweeter with protective grille; and Class AB amplification. Each speaker is powered by a 25W Class AB amplifier—plenty of juice for a small speaker. The E4.5 ranges from 70 Hz up to 20 kHz, and at 6.42 x 9.45 x 7.09 inches (163 x 241 x 180 mm), you can shoehorn this little beauty into almost any studio space.\n\nThe next step up in size and power is the Eris E5, which takes up just 7 x 10.24 x 7.68 inches (178 x 260 x 195 mm). The E5 sports a 5.25-inch, Kevlar low-frequency driver, mated with a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that’s impressive.\n\nFor an extended low-frequency response and a bit more muscle, step up to the Eris E8. With its 8-inch, Kevlar low-frequency transducer, driven by a 75 watt, Class AB power amplifier, it can range down to 35 Hz. Like the E5, the E8 can reach all the way to 22 kHz, thanks to a 1.25-inch (32 mm), silk-dome, high-frequency tweeter. However, the E8’s tweeter is driven by a heftier 65W, Class AB amplifier. With its extra juice, the E8 can deliver up to 105 dB SPL, peak.\n\nAll Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard (MDF).\n\nMaking Connections.\n\nEris monitors give you three different types of inputs so you can use them with a wide variety of audio sources.\n\nWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source.\n\nThe Eris E5 and E8 provide balanced XLR, balanced 1/4” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.\n\nWith this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, 1/4” TS outputs, simply use a 1/4”-to-RCA adapter or adapter cable.)\n\nThe E4.5 has balanced 1/4” TRS and unbalanced RCA inputs, as well as unbalanced 1/8” inputs for your smartphone or MP3 player, giving you all the flexibility you need when replacing computer speakers or those old studio monitors that have misled your ears for the last time.\n\nTake a moment, if you will, to consider the E4.5’s balanced TRS inputs; balanced inputs help you minimize noise—a pro feature you won’t find on competing speakers in this class.