Libri GmbH Artisanat de la Fiction : Techniques et Principes pour Écrire des Histoires Captivantes

Libri GmbH Artisanat de la Fiction : Techniques et Principes pour Écrire des Histoires Captivantes

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Spécifications

Pilotage
Avec télécommande
Non
DMX
Non
EAN
9798198012363
Personnage applicable
Non
Marquage CE
Non
Nom du participant responsable du marché dans l'UE
Libri GmbH
Guide linguistique
en
Largeur de l'emballage
15,2 cm
Hauteur de l'emballage
1,2 cm
Longueur de l'emballage
22,9 cm
Poids de l'emballage
313 g
Adresse du responsable du marché dans l'UE
Libri GmbH

Description du produit

Modern slot machines no longer optimize for the jackpot. They optimize for "the zone."

Casino designers calibrate near-misses, variable rewards, and reinforcement schedules to a tolerance that has nothing to do with winning. Players don't gamble to win. They gamble to stay inside the dissociative state the machine has engineered.

Page-turners work the same way.

Most craft books talk about inspiration. Crafting Fiction talks about the engineering underneath: the schedule of revelations, the calibration of unanswered questions, the trigger architecture that turns reading into compulsion.

Cristian Mihai started writing at fourteen in Constanța, Romania, in a language he hadn't been born into. He had no agent, no MFA, no family in publishing. From the geographical margins of the English-language literary market, he built a readership of tens of thousands, published multiple novels, and founded an independent publishing platform from scratch.

Inside, fourteen chapters steal technique from places writers never look:
    - Con artistry, to make readers invest before they have reason to- Casino design, to engineer compulsion into the spine of a chapter- FBI behavioral profiling, to build characters who reveal themselves through what they do- Stage magic, to make predetermined twists feel like discovery- Roller-coaster physics, to choreograph the body's response to every scene- Film editing, to cut a draft down to the story buried inside it
Every chapter opens with a case study from outside fiction. Every chapter ends with an exercise you can test on a real reader, with diagnostics for when it fails and instructions for what to do next.

This book was written by an indie writer, for indie writers, inside the only market that matters: the one where a stranger decides, in seconds, whether to keep reading or close the tab.

The gears are already running inside every story you love. Scroll up, grab your copy of Crafting Fiction, and see how they fit.

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